Gagosian is pleased to announce an exhibition of new tennis court paintings by Jonas Wood. The gallery’s tenth exhibition of Wood’s work, and its first based in Los Angeles, will be on view through April 25, 2026. 

South African artist Cinga Samson’s exhibition of new paintings is titled ‘Ukuphuthelwa’, an isiXhosa word in the artist’s native language that translates as ‘unable to sleep’. Unlike the English word ‘insomnia’, the isiXhosa term carries no negative connotation and accordingly, for Samson, sleeplessness is not a condition to be cured but a state of spiritual alertness, a sensitivity that deepens in the dark. Rendered in the artist’s signature occluded palette of near-blacks, carbon and deep Prussian blues, Samson’s scenes depict men-like figures, dogs in overgrown fields and portraits of plant life native to South Africa. Encouraging slow, contemplative looking, a sense of existential gravity pervades Samson’s new series of oil paintings, attempting to depict a vast reality that is continuously…

Harper’s is pleased to announce Prussian Blue, New York–based artist Sophia Huitema’s first solo exhibition with the gallery. The presentation features new works by Huitema and will be on view through April 25, 2026. 

Mrs. is pleased to present The Light That Loses, The Night That Wins, Molly Bounds’ New York debut solo exhibition, on view at the gallery’s 6040 56th Drive location. This exhibition marks the Los Angeles-based artist’s second presentation with the gallery following The Armory Show in September 2025. The show will be on view through May 2, 2026.

HESSE FLATOW is pleased to announce the opening of Franklin, an exhibition of paintings and works on paper by Nat Meade, marking his third solo presentation with the gallery. The show is on view through April 18, 2026. 

Lyles & King presents new paintings by Kate Meissner in our project space, on view through April 4. Kate Meissner writes: “These works are an exploration of the human body’s elasticity and capacity to metamorphose. Informed by my own experience of pregnancy and the birth of my first child last year, these paintings are a meditation on physiological transformation and the body’s underlying animalistic and mammalian nature.”

Galerie Max Hetzler, Berlin, is pleased to announce X-Rated (1972–1974), a solo exhibition of paintings and works on paper by William N. Copley. This is the fourth presentation of the artist’s work at the gallery, and the show will be on view through April 22, 2026. 

GR gallery is pleased to present Misfits, the first New York City solo exhibition by Daniel Nunez. The exhibition brings together a new body of work comprising paintings on canvas and drawings, offering an in-depth look at the artist’s most recent explorations.

David Kordansky Gallery is pleased to present Precious Moments, an exhibition of new paintings, sculpture, and videos by Sayre Gomez. On view through March 1, 2026, Precious Moments is the artist’s first solo exhibition with the gallery and will span all three spaces at its Los Angeles location. 

I never got to meet my grandfather José, but there’s an anecdote about him that perfectly defines who we Fuentes Fuertes are. He got his driver’s license at fifty, and his first car was a 600 that got stolen barely a week after he bought it. When he managed to save up for another one, he chose a cadmium yellow Seat 133 and decided to replace the bumpers with wooden ones. He was a carpenter. I sometimes picture him driving that new car, proud, crossing the city with the bumpers he made himself. That image always makes me laugh. Without knowing it, he’s the origin of many of the gestures we still repeat in our family: this way of believing…